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| < | Theatre Louisville review of When In Disgrace |
| Theatre Louisville Interview w/ playwright Damon Krometis | > |
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Reviewed by Keith Waits
Entire contents copyright © 2010, Keith Waits, all rights reserved
The 34th Humana Festival of New American Plays opens with Sirens, a very accessible and funny production in the Bingham Theatre that should prove to be a popular selection for audiences looking for uproarious entertainment.
The script, by Deborah Zoe Laufer, concerns itself with the stress and challenge of a 25-year marriage on Sam and Rose, a New Jersey couple embarking on a cruise. Rose seems content and nicely settled in the relationship, but Sam clearly is unsatisfied with what he sees as a complacent and stagnant situation that has strangled his creativity: he once wrote a hit song that remains a classic, but he has never recaptured that success and is desperately seeking a muse.
That he finds inspiration in the form of an actual Siren living on an island in the Mediterranean is perhaps the plays most unusual conceit, but a satirical tone is confidently established in the early scenes that allows the action to open up to such flights of fancy without missing a beat. By the time we follow Rose to a meeting with an old high school flame, the fact that he is played by a much younger actor so as to illustrate her nostalgia-infused vision of him seems natural enough to the audience, and it plays to hilarious effect.
Such moments of fantasy are crucial to preventing the story from becoming mired in cliché. Mid-life crisis is a topic that has been done to death, and I'm not sure that the writer is really saying anything new, but she is finding a fresh and very funny way to serve up the familiar. And we should always remember that such cliches often arise from universally shared experiences. Men and women will forever question themselves and their commitments to each other as they grow older, so the ability to laugh at one's self becomes crucial if we are to find our way back to solid ground.
This is a very funny play, and the four cast members play it to near perfection. Their timing and delivery are like clockwork, but they also find enough nuance to give the characters some real feeling. This is especially true of Brian Russell and Mimi Lieber as Sam and Rose. Even while triggering hilarious reaction from the audience, they lay the groundwork for just enough pain and forgiveness to make the touching resolution heartfelt and real. I was especially knocked out by Ms. Lieber's acid-tinged delivery that kept a nice sour edge to even her most uproarious moments. It strikes me that she has the luck of the lines with her character, but the actress earns her good effects the old-fashioned way, and gets some of the biggest laughs of the evening with simple, unforced action.
As the fabled island muse of the title, Lindsey Wochley was outfitted in a spectacular flowing gown the color of coral, and a long wig of wavy red hair that gave her the look of an illustration from a children's book. It was a grand vision that was arguably the highlight of the powerful design work on display throughout the production, and it might have overwhelmed a lesser actress, but Ms. Wochley balanced statuesque beauty with comic flair to create a memorable fantasy creature. She also was a sure and effective presence playing a travel agent and a waitress in other scenes.
Ben Hollandsworth overcomes the handicap of a late entrance in similar fashion, making the most of his limited time onstage by almost stealing the show as Rose's old high school crush, Richard.
The open stage of the Bingham was neatly and rapidly transformed by simple but clever sets by Michael B. Raiford, which were changed out by a female stage crew who also doubled as charming young women catching Sam's wandering eye. Lighting by Jeff Nellis and Sound by Matt Callahan were right on the money, and the various renditions of Sam's hit song, “Rose Adele”, provided some understated laughs as well.
Everyone will certainly remember the vivid costume for the Siren, as well they should, but the other, more ordinary costumes by Sonya Berlovitz are carried off with sure attention to detail and characterization, and there are a couple of moments when the clothing earns a laugh or two on its own merit.
Whatever qualities the remainder of the crop might soon deliver, Sirens welcomes Louisville audiences with a comfortable yet highly entertaining beginning to this year's festival.
Sirens
Written by Deborah Zoe Laufer
Directed by Casey Stangl
February 21 – March 28, 2010
34th Annual Humana Festival of New American Plays
Actor's Theatre of Louisville
316 West Main Street
502-584-1205
www.ActorsTheatre.org
Photos by Harlan Taylor
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Brian Russell and Mimi Lieber
Lindsey Wochley
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ADD A COMMENT
Scott Jay #324826
thu feb 25 2010
at 1:09 pm
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Mimi is the greatest. And, it's Lieber. |
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keefers
thu feb 25 2010
at 1:23 pm
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My apologies to the talented Ms. Lieber and corrected. |
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| < | Theatre Louisville review of When In Disgrace |
| Theatre Louisville Interview w/ playwright Damon Krometis | > |
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